No Client Agendas, Just Cinema

This is where I return to pure storytelling — without borders or deadlines. These films weren’t made to sell. Just a camera, an idea, and the synergy of creative people coming together to make something meaningful.

Cab Calloway: A Visual Tribute

A short biopic-style tribute to jazz legend Cab Calloway, filmed and edited with a cinematic approach.
I directed the cinematography and led post-production, with my talented friend Kissk portraying Calloway in a vibrant, expressive performance inspired by his legacy.

Set in the spirit of a 1930s jazz club, the film blends shadow, rhythm, and character, echoing the style and energy of Harlem’s golden era.

Role: Cinematographer / DP / Editor

The Dinner: A Dialogue Between Selves

In this short narrative piece, Kissk takes on both roles — a struggling young man and the older, wiser figure who confronts him across the table. What unfolds is a powerful conversation about pressure, purpose, and identity.

I filmed each character separately, carefully crafting the angles and lighting to reflect their emotional weight. Through split-frame storytelling and seamless editing, the two become one — a self-reflective moment between past and present.

Role: Cinematographer / DP / Editor

Glass Chains: A Fragile Resistance

This short artistic portrait follows glassblowing artist Jenny, whose philosophical approach to material and meaning takes shape through her delicate chain sculptures.

I filmed this handheld with a single 50mm manual lens, letting the motion of my body guide the frame. No gimbals, no stabilizers — just a raw, intuitive visual response to the fragility and strength she speaks about.

Themes: Fragility • Strength • Resistance • Material Symbolism • Motion-as-Feeling

Role: Director / Cinematographer / DP / Editor

Stop Motion: The Illusion of Control

In this narrative short, a graphic designer is overwhelmed by digital noise, caught between messages, calls, and constant demands. A high-pitched tone builds in his head until he pulls the plug from the wall, freezing time itself.

At first, the silence feels like freedom. He wanders the city, untouched by urgency. But stillness slowly turns to isolation, and the power to pause time loses its meaning.

I filmed this piece in a minimalist, art house style — using natural light and quiet, observational framing to reflect the internal tension of overstimulation and the longing to disconnect.

Role: Writer / Director / Cinematographer / Editor